

I didn’t know that. Thanks for the insights.
I didn’t know that. Thanks for the insights.
Yes, that’s true. Especially in the French-speaking parts of Europe with Hergé, André Franquin, Albert Uderzo, Moebius, Peyo, Edgar P. Jacobs, Pierre Christin, Jean-Claude Mézières and many others.
I might post a few more to this community sometime.
Also nice: The Adventures of Tintin by Belgian illustrator Hergé.
Some of the comics are rightly criticized for racial stereotyping and a romanticized view of colonialism, but this is hardly surprising as they date back to the 1930s. On the whole, the Adventures of Tintin are nevertheless a classic of comic art.
There are also several animated TV series. The best known is a French-Canadian co-production with 39 half-hour-episodes.
Because the advertising business is highly centralized. Getting sponsorships is not as easy as you think.
An example: YouTube pays content producers per click, so to speak, a ridiculously small amount, but in total, with billions of clicks, a crazy amount. The money to finance this comes largely from advertising revenue (also Google’s main business model). They are the Gatekeepers so to speak.
But the content producers can’t live off this because Google keeps most of it for itself. They do give people the opportunity to find sponsors themselves tho - and that’s how people actually make the most money. But you have to find them for yourself or through intermediaries (that’s an industry in itself). This is only realistic if you have sufficient reach (subscribers in the example). And that, in turn, is only possible if you have already invested hundreds of hours in the production of content (you can’t make a living if you don’t get paid for that).
So I think it would be best if the platforms themselves were powerful enough in terms of reach to be able to negotiate well with advertisers. But not as powerful as Google, for example, who can afford to pay content producers a pittance because - unlike small platforms - they are not dependent on them.
I think we should be realistic. Content costs money because it requires a lot of effort. It’s naïve to think that content would just be created because people feel like posting something. If the Fediverse is to compete with companies like meta, this is only possible if there are opportunities for content creators to earn money. That should be self-evident, but it obviously isn’t here.
I’m not saying it’s necessary, but it is if the Fediverse is to have mainstream appeal.
Simply because the absolute majority of people are out and about where everyone is. And that’s where the content is. That’s the point: if you want good content, it costs money. It’s not just corporations that make a living from it.
What I want to say is this: The Fediverse could provide fairer conditions for the people who produce content. That makes sense and is necessary because the Internet lives from that.
I just don’t understand why people here don’t want to realize that work has to be paid for. That’s really strange.
Not a good proportion of the things Trump claims - most of them are either misrepresented or outright lies. But yes, of course, his disastrous decisions and policies still affect citizens and thus become reality.
We here in Germany also have such a MAGA-style Nazi bullshit party. Fortunately, they didn’t do as well as many feared in the last election. But unfortunately they still got a frightening 20% of the vote. If these people somehow manage to seize power, we’ll be in exactly the same situation.
I’m from Germany. I subscribe to a decent weekly newspaper (“die Zeit”) and follow German news sites. I try to stay away from news on social media, but that’s hardly possible.
On Lemmy, I’ve mainly blocked keywords and names relating to US politics because the ridiculous bullshit from the White House is unbearable. Despite this, my feed is still full of the stupid drivel from Trump & Co. This is not news, but at best political soap opera entertainment far removed from reality.
Because this stupid stuff potentially affects me too, of course, I have subscribed to a decent monthly newspaper with an international focus (“Le Monde diplomatique”). I can’t stand US politics in particular any other way.
I’m So Meta Even This Acronym
“é” corrected - thanks.
Regarding Dune: The documentary “Jodorowsky’s Dune” about the production of this probably most influential movie that was never made is well worth watching.
And yes; There are a lot of great comic artists especially from France and Belgium. When it comes to sci-fi I also like Valérian and Laureline among many.