Man, I do enjoy taking the wind out of the sails of presumptuous people knee-jerking a response without knowing any specifics.
I spent most of my career flying in relatively dangerous conditions in helicopters (or on small boats, before I went into aviation) in order to save people from drowning in the ocean or freezing in the woods. I’ve had two coworkers who’ve crashed (in separate incidences), one of which was at the door sending a dewatering pump to a sinking boat. I specifically joined the service I did because, as I told the recruiter, I can choose to join, but I can’t choose where I’m sent after, and I’m still responsible for my actions because I chose to join in the first place. There’s nothing morally ambiguous about saving somebody whose boat is sinking.
Now, don’t get me wrong, having more and more of our people being sent to “defend the border” definitely falls in the realm of “not what I signed up for,” but I haven’t personally been forced into that, and am extremely unlikely to.
So I may have dealt with some brown kids whose lives were threatened, but certainly haven’t found any that were a threat themselves (except to themselves… boaters tend to be their own worst enemies).
I think the difference is the opera singer is their own name and you can point to some parts or performances, but the songs belong to someone else. “Toxic” by Britney Spears is considered her song… even though it was written by other people, for example. Nobody thinks that Queen of the Night is Diana Damrau’s song.
And I get there’s a difference, because nobody think Beyonce’s version of “Can You Feel The Love Tonight” is anything but Elton John’s song regardless. But the line is so blurred amongst pop singers (as some write their own and some don’t) that credit seems falsely attributed often.
Basically, if you’re a songwriter/composer, you have songs. If you’re a singer, you have performances.