• miz [any, any]@hexbear.net
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    1 month ago

    This is an installment of Visual Studies, a series that explores how images move through and shape culture.

    not many people know this, but images have small hairs called cilia on the edges that propel them through the cultural medium

  • Chana [none/use name]@hexbear.net
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    1 month ago

    He just likes gold stuff, thinks it looks fancy. It isn’t consistently rococo.

    And it’s no worse than any other presidential palace shit.

  • Quai [they/them]@hexbear.net
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    1 month ago

    kirby-jammin

    Let’s go downtown and watch the modern kids

    Let’s go downtown and talk to the modern kids

    They will eat right out of your hand

    Using great big words that they don’t understand They singing

    Rococo, rococo, rococo, rococo Rococo, rococo, rococo, rococo

    They build it up just to burn it back down

    They build it up just to burn it back down

    The wind is blowing all the ashes around

    Oh my dear god what is that horrible song they’re singing

    Rococo, rococo, rococo, rococo Rococo, rococo, rococo, rococo kirby-jammin

  • InevitableSwing [none/use name]@hexbear.netOP
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    1 month ago

    Rococo’s most enduring trait has been its embrace by the bourgeoisie. By replacing marble and gold with stucco and gilded bronze, the ornamental splendor once reserved for gods and kings was now available to merchants and a growing middle class. Rococo was itself revolutionary, in part because it upset the established hierarchy by making molded plaster look as good as solid gold. Four hundred years on, its cheap extravagance is still simultaneously elitist and democratic. Use it as a commoner and you can feel like a king. Use it as a king and it might just get you guillotined.

  • Llituro [he/him, they/them]@hexbear.net
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    1 month ago

    this reminded me that peelon and grimey got together because one of them made a “rococo’s basilisk” joke. i am cursed with this knowledge, and now you are too.